Installation made of the editing of a thousand books after the revision of archive material declassified by the US concerning the Southern Cone countries: Argentina, Brazil, Chile, Paraguay and Uruguay. This region of South America has a long history of interaction, one of the most traumatic of which is the operations which these countries undertook to persecute, arrest, torture and kill people during dictatorship times. One of the most well known operations was called The Condor Operation. Following the return of democratic government these same countries formed the Mercosur Treaty (Southern Common Market) of which all the countries are members and Chile is an associated country.

The documents were selected according to criteria of information content and visibility, and they represent a tiny proportion of the total of the existing documents. Many of the documents are censored with blacked-out sentences, have the seals and stamps and use the letterhead of the organisations that produced them.

Taken together they reveal the extent to which the frontiers between these countries were ignored during the dictatorships, and the level of collusion between the governments and the United States in order to control discourse in opposition to the regimes and to the logic of USA politics.The non- History is the title of the installation presented at the 8th Mercosur Biennial, which reveals through the documents and its method of presentation how our national histories have not yet begun to be related based on the truth of past events. Both the notion of sovereignty and the autonomy of the implicated countries, as well as the image of border, are called into question.

Mercosur Biennial
project type:
Installation art
No History's library
technique and objects:
1000 books of 17 x 23.5 cm, 400 pages.
Back-lit display: height 70 cm at
its highest and 15 cm at its lowest;
length 5 m 90 cm; width 1.95 cm.
Divided into 12 modules of variable dimensions.
Porto Alegre
8º Mercosur Biennial

Design in Details

In design, we bring characteristics of the natural world into built spaces, such as water, greenery, and natural light, or elements like wood and stone. Encouraging the use of natural systems and processes in design allows for exposure to nature, and in turn, these design approaches improve health and wellbeing. There are a number of possible benefits, including reduced heart rate variability and pulse rates, decreased blood pressure, and increased activity in our nervous systems, to name a few.

Over time, our connections to the natural world diverged in parallel with technological developments. Advances in the 19th and 20th centuries fundamentally changed how people interact with nature. Sheltered from the elements, we spent more and more time indoors. Today, the majority of people spend almost 80-90% of their time indoors, moving between their homes and workplaces. As interior designers embrace biophilia.

Incredible Result

Establishing multi-sensory experiences, we can design interiors that resonate across ages and demographics. These rooms and spaces connects us to nature as a proven way to inspire us, boost our productivity, and create greater well-being. Beyond these benefits, by reducing stress and enhancing creativity, we can also expedite healing. In our increasingly urbanized cities, biophilia advocates a more humanistic approach to design. The result is biophilic interiors that celebrate how we live, work and learn with nature. The term translates to ‘the love of living things’ in ancient Greek (philia = the love of / inclination towards), and was used by German-born American psychoanalyst Erich Fromm in The Anatomy of Human Destru ctiveness (1973).