This work belongs to the exhibition Remembering What Is: Chile’s Recent History in Film and Art at Lunds konsthall curated by Hans Carlsson.

A series of secret documents leaked into the public eye in the mid 90s. They revealed the existence of secret armies (stay-behind operations) set in place and organised by the CIA and NATO in order to avoid the seizure of power from the left in post-war Europe. The story of Operation Gladio– the codename for a stay-behind operation active in Italy from the late 60s until the early 80s–is full of uncertainties, ambiguity and violence without culprits, a story in which the Strategy of Tension was tested and perfected.

The No-History’s Library – Gladio points at some of the interventions that occurred in these so-called Lead Years, a time in which foreign agencies developed intricate tactics to control the opinion of the citizenry by using fear, false propaganda and double discourses, provoking horror through the use of false flag terrorism to ultimately achieve their geopolitical and business-oriented aims.

This book uses two kinds of documents, some from NATO regarding Operation Gladio, and others from the CIA regarding the French intelligentsia in the mid 80s. Together, they present an aspect of the Cold War related to the use of language, secrets and false discourses, questioning the possibility of thinking, assimilating and feeling part of a history who’s fundamental characteristic is the use of lies and secret.

project type:
Installation art
No History's library
technique and objects:
Bookshelf in bookstore, 400 books with CIA and NATO documents / Each book: 18 x 23 cm, 280 pages

Design in Details

In design, we bring characteristics of the natural world into built spaces, such as water, greenery, and natural light, or elements like wood and stone. Encouraging the use of natural systems and processes in design allows for exposure to nature, and in turn, these design approaches improve health and wellbeing. There are a number of possible benefits, including reduced heart rate variability and pulse rates, decreased blood pressure, and increased activity in our nervous systems, to name a few.

Over time, our connections to the natural world diverged in parallel with technological developments. Advances in the 19th and 20th centuries fundamentally changed how people interact with nature. Sheltered from the elements, we spent more and more time indoors. Today, the majority of people spend almost 80-90% of their time indoors, moving between their homes and workplaces. As interior designers embrace biophilia.

Incredible Result

Establishing multi-sensory experiences, we can design interiors that resonate across ages and demographics. These rooms and spaces connects us to nature as a proven way to inspire us, boost our productivity, and create greater well-being. Beyond these benefits, by reducing stress and enhancing creativity, we can also expedite healing. In our increasingly urbanized cities, biophilia advocates a more humanistic approach to design. The result is biophilic interiors that celebrate how we live, work and learn with nature. The term translates to ‘the love of living things’ in ancient Greek (philia = the love of / inclination towards), and was used by German-born American psychoanalyst Erich Fromm in The Anatomy of Human Destru ctiveness (1973).