{"id":6348,"date":"2022-01-13T03:36:52","date_gmt":"2022-01-13T03:36:52","guid":{"rendered":"https:\/\/www.voluspajarpa.com\/?post_type=texts&#038;p=6348"},"modified":"2022-01-17T22:39:34","modified_gmt":"2022-01-17T22:39:34","slug":"79-esteticas-del-poder-y-contrapoder-de-la-imagen-en-america","status":"publish","type":"texts","link":"https:\/\/www.voluspajarpa.com\/en\/texts\/79-esteticas-del-poder-y-contrapoder-de-la-imagen-en-america\/","title":{"rendered":"79. Est\u00e9ticas del poder y contrapoder de la imagen en Am\u00e9rica"},"content":{"rendered":"<p>&#8230; cen presentes como referentes simb\u00f3licos en la obra Historias de aprendizaje, de la artista chilena\u00a0Voluspa Jarpa\u00a0(Rancagua, 1971).\u00a0Ella pone en evidencia el gesto y poder de la mano que ejecuta la tachadura de di &#8230;<\/p>\n","protected":false},"featured_media":0,"parent":0,"template":"","_links":{"self":[{"href":"https:\/\/www.voluspajarpa.com\/en\/wp-json\/wp\/v2\/texts\/6348"}],"collection":[{"href":"https:\/\/www.voluspajarpa.com\/en\/wp-json\/wp\/v2\/texts"}],"about":[{"href":"https:\/\/www.voluspajarpa.com\/en\/wp-json\/wp\/v2\/types\/texts"}],"version-history":[{"count":3,"href":"https:\/\/www.voluspajarpa.com\/en\/wp-json\/wp\/v2\/texts\/6348\/revisions"}],"predecessor-version":[{"id":6477,"href":"https:\/\/www.voluspajarpa.com\/en\/wp-json\/wp\/v2\/texts\/6348\/revisions\/6477"}],"wp:attachment":[{"href":"https:\/\/www.voluspajarpa.com\/en\/wp-json\/wp\/v2\/media?parent=6348"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}