{"id":6303,"date":"2022-01-12T21:38:20","date_gmt":"2022-01-12T21:38:20","guid":{"rendered":"https:\/\/www.voluspajarpa.com\/?post_type=texts&#038;p=6303"},"modified":"2022-01-18T15:54:15","modified_gmt":"2022-01-18T15:54:15","slug":"58-magdalena-lopez-sobre-ana-maria-amar-sanchez-instrucciones-para-la-derrota-narrativas-eticas-y-politicas-de-perdedores","status":"publish","type":"texts","link":"https:\/\/www.voluspajarpa.com\/en\/texts\/58-magdalena-lopez-sobre-ana-maria-amar-sanchez-instrucciones-para-la-derrota-narrativas-eticas-y-politicas-de-perdedores\/","title":{"rendered":"58. Magdalena L\u00f3pez sobre Ana Mar\u00eda Amar S\u00e1nchez, Instrucciones para la derrota: Narrativas \u00e9ticas y pol\u00edticas de perdedores"},"content":{"rendered":"<p>Rese\u00f1as<br \/>\nm\u00e1s \u25be<br \/>\n&#8230; hacia un futuro ut\u00f3pico.\u00a0Para tal fin escolta comentar la obra de tres pintores: Bernardo Oyarz\u00fan,\u00a0Voluspa Jarpa\u00a0y Jos\u00e9 Pedro Godoy.\u00a0Interesante trabajo que nos permite refl exionar sobre la formaci\u00f3n de la subje &#8230;<\/p>\n","protected":false},"featured_media":0,"parent":0,"template":"","_links":{"self":[{"href":"https:\/\/www.voluspajarpa.com\/en\/wp-json\/wp\/v2\/texts\/6303"}],"collection":[{"href":"https:\/\/www.voluspajarpa.com\/en\/wp-json\/wp\/v2\/texts"}],"about":[{"href":"https:\/\/www.voluspajarpa.com\/en\/wp-json\/wp\/v2\/types\/texts"}],"version-history":[{"count":1,"href":"https:\/\/www.voluspajarpa.com\/en\/wp-json\/wp\/v2\/texts\/6303\/revisions"}],"predecessor-version":[{"id":6304,"href":"https:\/\/www.voluspajarpa.com\/en\/wp-json\/wp\/v2\/texts\/6303\/revisions\/6304"}],"wp:attachment":[{"href":"https:\/\/www.voluspajarpa.com\/en\/wp-json\/wp\/v2\/media?parent=6303"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}