{"id":6280,"date":"2022-01-12T21:14:23","date_gmt":"2022-01-12T21:14:23","guid":{"rendered":"https:\/\/www.voluspajarpa.com\/?post_type=texts&#038;p=6280"},"modified":"2022-01-18T16:25:02","modified_gmt":"2022-01-18T16:25:02","slug":"47-enrique-rodrigues-moura-sobre-ralph-bauer-y-jose-antonio-mazzotti-eds-creole-subjects-in-the-colonial-americas-imperios-textos-identidades","status":"publish","type":"texts","link":"https:\/\/www.voluspajarpa.com\/en\/texts\/47-enrique-rodrigues-moura-sobre-ralph-bauer-y-jose-antonio-mazzotti-eds-creole-subjects-in-the-colonial-americas-imperios-textos-identidades\/","title":{"rendered":"47. Enrique Rodrigues-Moura sobre Ralph Bauer y Jose Antonio Mazzotti, eds, Creole Subjects in the Colonial Americas.\u00a0Imperios, Textos, Identidades"},"content":{"rendered":"<p>Rese\u00f1as<br \/>\nm\u00e1s \u25be<br \/>\n&#8230; hacia un futuro ut\u00f3pico.\u00a0Para tal fin escolta comentar la obra de tres pintores: Bernardo Oyarz\u00fan,\u00a0Voluspa Jarpa\u00a0y Jos\u00e9 Pedro Godoy.\u00a0Interesante trabajo que nos permite refl exionar sobre la formaci\u00f3n de la subje &#8230;<\/p>\n","protected":false},"featured_media":0,"parent":0,"template":"","_links":{"self":[{"href":"https:\/\/www.voluspajarpa.com\/en\/wp-json\/wp\/v2\/texts\/6280"}],"collection":[{"href":"https:\/\/www.voluspajarpa.com\/en\/wp-json\/wp\/v2\/texts"}],"about":[{"href":"https:\/\/www.voluspajarpa.com\/en\/wp-json\/wp\/v2\/types\/texts"}],"version-history":[{"count":1,"href":"https:\/\/www.voluspajarpa.com\/en\/wp-json\/wp\/v2\/texts\/6280\/revisions"}],"predecessor-version":[{"id":6281,"href":"https:\/\/www.voluspajarpa.com\/en\/wp-json\/wp\/v2\/texts\/6280\/revisions\/6281"}],"wp:attachment":[{"href":"https:\/\/www.voluspajarpa.com\/en\/wp-json\/wp\/v2\/media?parent=6280"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}