{"id":6225,"date":"2022-01-12T02:16:57","date_gmt":"2022-01-12T02:16:57","guid":{"rendered":"https:\/\/www.voluspajarpa.com\/?post_type=texts&#038;p=6225"},"modified":"2022-01-25T15:16:48","modified_gmt":"2022-01-25T15:16:48","slug":"21-desmemoria-y-perversion","status":"publish","type":"texts","link":"https:\/\/www.voluspajarpa.com\/en\/texts\/21-desmemoria-y-perversion\/","title":{"rendered":"21. Desmemoria y Perversi\u00f3n"},"content":{"rendered":"<p>Discusi\u00f3n en el texto cultural de la exclusi\u00f3n de ciertos actores sociales y subjetividades de las narrativas oficiales de memoria en el Chile de la transici\u00f3n.\u00a0El libro recoge los trabajos de post-memoria (desmemoria) en las artes visuales \u2013 Voluspa Jarpa, Bernardo Oyarz\u00fan y Jos\u00e9 Pedro Godoy y en literatura los de autores como Lemebel, Ram\u00edrez y Wacquez.<\/p>\n<p>m\u00e1s \u25be<br \/>\n\u2026 inski, ene.\u00a0Fantas\u00edas juveniles.\u00a0The Pervert Landsape a los medios.\u00a0Nueva york: Palgrave Macmillan, 2004.\u00a0jarpa, voluspa\u00a0.\u00a0El Jard\u00edn de las Delicias.\u00a0Galer\u00eda Gabriela Mistral.\u00a0Departa- mento de Programas Culturales.\u00a0Divis \u2026<\/p>\n","protected":false},"featured_media":0,"parent":0,"template":"","_links":{"self":[{"href":"https:\/\/www.voluspajarpa.com\/en\/wp-json\/wp\/v2\/texts\/6225"}],"collection":[{"href":"https:\/\/www.voluspajarpa.com\/en\/wp-json\/wp\/v2\/texts"}],"about":[{"href":"https:\/\/www.voluspajarpa.com\/en\/wp-json\/wp\/v2\/types\/texts"}],"version-history":[{"count":2,"href":"https:\/\/www.voluspajarpa.com\/en\/wp-json\/wp\/v2\/texts\/6225\/revisions"}],"predecessor-version":[{"id":6503,"href":"https:\/\/www.voluspajarpa.com\/en\/wp-json\/wp\/v2\/texts\/6225\/revisions\/6503"}],"wp:attachment":[{"href":"https:\/\/www.voluspajarpa.com\/en\/wp-json\/wp\/v2\/media?parent=6225"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}