La aparici\u00f3n de las representaciones urbanas dentro del campo pict\u00f3rico en Chile, surgieron en los a\u00f1os noventa como respuesta a la escena art\u00edstica de la d\u00e9cada anterior. Artistas como Tacla y Altamirano en un inicio y Voluspa Jarpa, Natalia Babarovic, Ignacio Gumucio y Pablo Langlois, posteriormente, incorporan en sus trabajos dispositivos pict\u00f3ricos tales como el fuera de cuadro, el cambio de perspectiva, la fragmentaci\u00f3n compositiva y la escenificaci\u00f3n de la precariedad. En sus obras se comparte una visi\u00f3n que dibuja una ciudad herida, silenciada y vigilada. Por su parte, en los textos de la misma \u00e9poca, una perspectiva caracteriza la escenificaci\u00f3n de la cuidad contempor\u00e1nea. Voz y mirada recorren un escenario que no se deja habitar. Este trabajo pretende establecer bajo una lectura comparativa, los nexos entre ambos soportes y preguntarse por el contexto en el que surgen ambas \u201cescrituras\u201d. Se trata de reflexionar en torno a la incorporaci\u00f3n de la estructura narrativa en las representaciones pict\u00f3ricas de la ciudad y a qu\u00e9 contexto hist\u00f3rico y pol\u00edtico responden tales imaginarios en el campo del arte chileno de los a\u00f1os noventa.<\/p>\n
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The appearance of urban representations within the pictorial scene in Chile came up in the nineties as a reply to the configuration of the same scene in the previous decade. Arstists such as Tacla and Altamirano in the beginning and Voluspa Jarpa, Natalia Babarovic, Ignacio Gumucio and Pablo Langlois, later, incorporate in their works pictorial mechanisms such as the out of painting, shift of perspective, composition fragmentation and the staging of precariousness. Their works share a vision that draws a wounded, silenced and guarded city. In the texts of the same period, a specific perspective characterizes the representation of the contemporary city. Voice and gaze move through an inhabitable stage. This work aims to define under a comparative reading, the link between both, literary and pictorial supports and to question the context in which both \u201cwritings\u201d take place. Specifically, to analyze the incorporation of narrative structures in the pictorial representations of the city, as well as the political and historical contexts of these imaginaries in the field of Chilean art of the nineties.<\/p>\n","protected":false},"featured_media":0,"parent":0,"template":"","_links":{"self":[{"href":"https:\/\/www.voluspajarpa.com\/en\/wp-json\/wp\/v2\/texts\/13638"}],"collection":[{"href":"https:\/\/www.voluspajarpa.com\/en\/wp-json\/wp\/v2\/texts"}],"about":[{"href":"https:\/\/www.voluspajarpa.com\/en\/wp-json\/wp\/v2\/types\/texts"}],"version-history":[{"count":1,"href":"https:\/\/www.voluspajarpa.com\/en\/wp-json\/wp\/v2\/texts\/13638\/revisions"}],"predecessor-version":[{"id":13639,"href":"https:\/\/www.voluspajarpa.com\/en\/wp-json\/wp\/v2\/texts\/13638\/revisions\/13639"}],"wp:attachment":[{"href":"https:\/\/www.voluspajarpa.com\/en\/wp-json\/wp\/v2\/media?parent=13638"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}