130 years after the discovery of X-rays, is dedicating the exhibition “X-Ray. The Power of X-Ray Vision” to this revolutionary technology. The show consists of around 230 exhibits and artworks by over 28 participants in Völklinger Hütte- Germany From November 9, 2025, to September 6, 2026, the exhibition will explore how X-rays have influenced art, science, fashion, […]
Syndemia is an audiovisual work with a musical script built from three types of material: documentary footage, fiction, and the performance of musical instruments. Through these layers, the work recounts moments from Chile’s 2019 social uprising. The documentary material was filmed by young audiovisual teams who recorded the massive street protests and donated their footage: […]
In the group exhibition “are we there yet?”, presented at NOME Gallery (Berlin), Voluspa Jarpa participates with a work that evidences police violence against civilians in the context of the Santiago de Chile protests (2020). The exhibition addresses the spread of contemporary authoritarianism—police brutality, mass incarceration, discrimination, immigration, and state surveillance—and brings together works that […]
Within the framework of Resistance. A Selection of South American Video—an exhibition organized with BIENALSUR and presented at the Museo Reina Sofía Cinema during the summer of 2025—Voluspa Jarpa screens the video Ocular Trauma. The exhibition, curated by Diana Wechsler, brings together audiovisual works that examine resistance as both a political and an aesthetic act, […]
As part of Feria Material (Vol. 11) in Mexico City, Voluspa Jarpa presented—together with La Oficina (Madrid)—two works on paper that continue her research into human zoos and the colonial devices of classification, display, and the production of racial “evidence.” Built from intervened historical maps, the works shift territory away from a neutral backdrop and […]
Shown in Qatar in 2025 at the National Museum of Qatar as part of the exhibition “Latinoamericano: Modern and Contemporary Art from the MALBA and Eduardo F. Costantini Collections,” Banana Train activates a historical reading of commodity circulation and the making of imaginaries of labor, territory, and economy in Latin America. Starting from a scene […]